atha madhu-pānam, yathā—
mukha-vidhum uditaṁ madhu-dviṣo’sau
madhu-caṣake madhuraṁ samīkṣya mugdhā |
adiśata dṛśam eva tatra pātuṁ
na tu vadanaṁ muhur arthitāpi tena ||
The verse — decoded
L1example
mukha-vidhum uditaṁ madhu-dviṣo’sau
mukha-vidhumthe moon of his face — the thing she is gazing at accusative; object of samīkṣya in L2. vidhu = moonमुख-रूपी चन्द्रमा को (जो समीक्ष्य का कर्म है)
uditaṁrisen — the poet uses the moonrise word, since the face-moon has 'come up' (reflected) in the cup agrees with mukha-vidhu; udita is the standard verb for a moon risingउदित हुए (मुख-चन्द्र को), जैसे चन्द्रमा उगता है
madhu-dviṣaḥof Kṛṣṇa, the foe of the demon Madhu — whose face-moon it is genitiveमधु के शत्रु अर्थात् कृष्ण का
asaushe — that girl; the subject, picked up again as mugdhā in L2वह (मुग्धा नायिका)
asau — she, that girl; madhu-dviṣaḥ — of Kṛṣṇa, Madhu's foe; mukha-vidhum uditaṁ — his risen face-moon (what she looks at).
कृष्ण के उस उदित हुए मुख-रूपी चन्द्रमा को (वह मुग्धा देखकर)…
Kṛṣṇa's face is a moon, and it has 'risen' — the poet reaches for the word for moonrise. She, that girl, is the one watching it.
मधु दैत्य के शत्रु कृष्ण का मुख मानो चन्द्रमा है, जो उदित हो उठा है। उसी को वह भोली नायिका देखती है।
An udāharaṇa of madhu-pānam, 'wine-drinking' — the sub-topic introduced by the lead-in 'atha madhu-pānam, yathā—'. The whole four-line verse is one illustrative sentence.
यह 'मधु-पान' का उदाहरण है — 'अथ मधु-पानम्, यथा—' इस भूमिका से जो उप-विषय आरम्भ हुआ। पूरी चारों पंक्तियाँ मिलकर एक ही वर्णनात्मक वाक्य हैं।
L2example
madhu-caṣake madhuraṁ samīkṣya mugdhā |
madhu-caṣakein the wine-cup — where the face-moon shows up reflected locative of place; madhu here = wineमधु अर्थात् मदिरा के प्याले में
madhuraṁsweet — describing that same face-moon accusative, agreeing with mukha-vidhuमधुर (उस मुख-चन्द्र को, जिससे यह विशेषण लगता है)
samīkṣyaonce she has gazed at it gerund, 'having looked'भली-भाँति देखकर
mugdhāthe enchanted, carried-away girl — the subjectवह मुग्धा (भोली नायिका)
madhu-caṣake — in the wine-cup; madhuraṁ — the sweet [face-moon]; samīkṣya — having gazed; mugdhā — the enchanted girl.
मदिरा के प्याले में (प्रतिबिम्बित) उस मधुर मुख-चन्द्र को भली-भाँति देखकर वह मुग्धा…
In the wine-cup she catches that sweet face-moon reflected. Seeing it, she is enchanted, carried away.
मदिरा के प्याले में उस मधुर मुख-चन्द्र का प्रतिबिम्ब पड़ा। उसे भली-भाँति देखकर वह भोली नायिका…
The m-alliteration is deliberate — madhu-vidhu, madhu-dviṣ, madhu-caṣaka, madhura, mugdhā, muhuḥ — and 'madhu' shifts sense: Madhu the demon (in Kṛṣṇa's epithet) and madhu the wine in the cup.
यहाँ 'म' वर्ण की अनुप्रास जानबूझकर है — मधु-विधु, मधु-द्विष्, मधु-चषक, मधुर, मुग्धा, मुहुः — और 'मधु' शब्द अर्थ बदलता है: एक ओर मधु नामक दैत्य (कृष्ण के विशेषण में), दूसरी ओर प्याले की मदिरा।
L3example
adiśata dṛśam eva tatra pātuṁ
adiśatashe sent / directed imperfect middle, 3rd sg.भेज दी / लगा दी (उसने)
dṛśamher glance — her eyes, and these she sent accusative objectअपनी दृष्टि को
evaonly — her glance and nothing elseकेवल दृष्टि ही
tatrathere — into the cupवहाँ (उस प्याले में) उसकी ओर
pātuṁin order to drink — to drink the reflected moon-face infinitive of purposeपीने के लिए
tatra — there, into the cup; pātuṁ — in order to drink; dṛśam eva — only her glance; adiśata — she sent.
वहाँ (उस प्रतिबिम्ब को) पीने के लिए उसने केवल अपनी दृष्टि ही लगा दी…
She sent only her eyes down into the cup — to 'drink', but to drink the reflection with her gaze, not the wine.
उस प्रतिबिम्ब को मानो पीने के लिए उसने केवल अपनी आँखें ही वहाँ लगा दीं।
L4example
na tu vadanaṁ muhur arthitāpi tena ||
na tubut not — set against 'only her glance' just aboveपरन्तु नहीं
vadanaṁher mouth — this she did not send to the cup accusative; supply adiśata from L3अपना मुख (यहाँ L3 से 'भेजा' क्रिया जोड़ लें)
muhuḥagain and againबार-बार
arthitāthough she was asked, begged [to drink] past participle, nom. fem., agreeing with asauप्रार्थित की गई / आग्रह की गई (वह नायिका)
apieven — even though askedयद्यपि, फिर भी
tenaby him, Kṛṣṇa instrumental of agent with arthitāउसके अर्थात् कृष्ण के द्वारा
tena — by him; muhuḥ — again and again; arthitā api — though she was begged; na tu vadanaṁ — yet not her mouth [did she send].
…परन्तु अपना मुख नहीं लगाया, यद्यपि कृष्ण के द्वारा बार-बार आग्रह किया गया था।
But not her mouth. She would not put her lips to the cup, though Kṛṣṇa begged her over and over. She drank only with her eyes — this is the point of the verse: so absorbed in the reflected moon of his face that the glance drinks and the mouth forgets the wine.
परन्तु अपना मुख उसने वहाँ नहीं लगाया। यद्यपि कृष्ण बार-बार उससे आग्रह करते रहे, फिर भी उसने आँखों से ही पिया, मुख से मदिरा नहीं।
Commentary — decoded
Jīva Gosvāmī
s1other
na vyākhyātam.
na vyākhyātamit was not commented on — Jīva passed over this verseइसकी कोई व्याख्या नहीं की गई
na vyākhyātam — [Jīva] gave no gloss here.
(जीव गोस्वामी ने) इसकी व्याख्या नहीं की।
Jīva offers nothing on this verse — an editorial note that his commentary is silent at this point.
जीव गोस्वामी ने इस श्लोक पर कोई व्याख्या नहीं दी।
Viśvanātha Cakravartī
s1avataranika
vṛndā paurṇamāsīm āha—mukheti |
vṛndāVṛndā [is the speaker] nominative subject of āhaवृन्दा (आह क्रिया की कर्त्री)
paurṇamāsīmto Paurṇamāsī — the one she addresses accusative, addressee of āhaपौर्णमासी से (जिससे कहा जा रहा है)
āhaspeaks, says [the verse]कहती है
mukhetithe verse beginning 'mukha-' — catchword for the mūla mukha + iti, the pratīka tag'मुख' इत्यादि — यह प्रतीक-चिह्न
vṛndā — Vṛndā; paurṇamāsīm — to Paurṇamāsī; āha — speaks; mukha iti — [the verse] 'mukha…'.
वृन्दा पौर्णमासी से कहती है — 'मुख' इत्यादि (श्लोक से)।
Viśvanātha sets the scene: Vṛndā is speaking to Paurṇamāsī. He tags the verse by its opening word, 'mukha-'.
वृन्दा पौर्णमासी से यह बात कहती है — 'मुख' इत्यादि श्लोक इसी का है।
s2gloss
mugdhā ānanda-moha-yuktā tan-mādhurya-pānottha-saundaryavatī sā ||
mugdhāthe word 'mugdhā' [in the verse] — here is what it covers:मुग्धा का अर्थ है —
ānanda-moha-yuktāshe is dazed with joy — filled with the bewilderment that joy bringsआनन्द के मोह से युक्त (जो हर्ष में विमोहित है)
tan-mādhurya-pānottha-saundaryavatīand she wears a beauty that has risen from drinking in that sweetness [of his face-moon] tat-mādhurya-pāna-uttha-saundarya-vatī: a bahuvrīhi, 'having beauty that arose from…'उस (कृष्ण के) माधुर्य के पान से उत्पन्न हुए सौन्दर्य से युक्त — यह बहुव्रीहि है
sāshe — this is whom 'mugdhā' namesवह (नायिका)
sā mugdhā — she, the 'mugdhā'; ānanda-moha-yuktā — dazed with joy; tan-mādhurya-pānottha-saundaryavatī — and beautiful from drinking that sweetness.
'मुग्धा' अर्थात् वह, जो आनन्द के मोह से युक्त है तथा उस माधुर्य के पान से उपजे सौन्दर्य से सम्पन्न है।
Viśvanātha unpacks the one word 'mugdhā'. Two things: she is dazed with sheer joy; and the drinking-in of his sweetness has made her beautiful. Notice the pun on 'drinking' — the verse's mouth-versus-eyes drinking is re-read as her drinking his sweetness with her gaze, and that gazing is itself what lights up her beauty.
'मुग्धा' का अर्थ है — वह नायिका, जो आनन्द के मोह से भरी है और कृष्ण के माधुर्य को पीने से उपजे सौन्दर्य से सुशोभित है।
s3other
(53)
(53)a bare numeral in the commentary flow — a running count of the illustrative verse, not part of the decode(५३) — श्लोक-संख्या
(53) — verse-count numeral.
(५३)।
A bare number left in the text; it marks the verse's place in the running count and carries no gloss of its own.
यह इस प्रकरण का तिरपनवाँ श्लोक है।