athāvasthāṣṭakaṁ sarva-nāyikānāṁ nigadyate |
tatrābhisārikā vāsa-sajjā cotkaṇṭhitā tathā
khaṇḍitā vipralabdhā ca kalahāntaritāpi ca |
proṣita-preyasī caiva tathā svādhīna-bhartṛkā
The verse — decoded
L1avataranika
athāvasthāṣṭakaṁ sarva-nāyikānāṁ nigadyate |
athanow, taking up the next topic transitional particleअब
avasthā-aṣṭakamthe set of eight states (the eight moods a heroine can be in) — the topic now being announced nom., subject of the passive verbआठ अवस्थाओं का समूह (अष्टक)
sarva-nāyikānāṁbelonging to every kind of nāyikā (heroine) gen. pl.सब नायिकाओं की
nigadyateis now being declared passive presentकहा जाता है
atha — now; sarva-nāyikānāṁ — of all the heroines; avasthā-aṣṭakam — the eightfold set of states; nigadyate — is declared.
अब सब नायिकाओं की आठ अवस्थाएँ कही जाती हैं।
Now he takes up the next subject: the eight states. These are the eight moods any heroine can be found in, and they apply to every type of nāyikā alike. He announces that he is about to list them.
अब सब नायिकाओं की आठ अवस्थाओं का वर्णन किया जाता है।
These eight states are the classical aṣṭa-nāyikā scheme of Sanskrit dramaturgy (Bharata's Nāṭya-śāstra), which Rūpa here adapts to Kṛṣṇa's līlā.
L2definition
tatrābhisārikā vāsa-sajjā cotkaṇṭhitā tathā
tatraamong these eight loc., 'therein'उनमें
abhisārikāthe abhisārikā — she who sets out to meet her lover at the tryst nom., first of the eightअभिसारिका (प्रिय की ओर जाने वाली)
vāsa-sajjāthe vāsa-sajjā — she who sits adorned and ready in her bower, awaiting him nom.वासकसज्जा (मिलन-स्थल पर सज्जित)
caandऔर
utkaṇṭhitāthe utkaṇṭhitā — she who waits longing when he fails to arrive though no one is at fault nom.उत्कण्ठिता (उत्कण्ठा से युक्त)
tathāand so tooतथा
tatra — among these; abhisārikā — the one who goes to meet him; vāsa-sajjā ca — and the one dressed and waiting; utkaṇṭhitā — the longing one; tathā — likewise.
उनमें अभिसारिका, वासकसज्जा और उत्कण्ठिता, तथा —
Of these eight, the first three are: the abhisārikā, who goes out to meet her lover; the vāsa-sajjā, who has dressed herself and made the bower ready and now waits for him; and the utkaṇṭhitā, who is left longing when he does not come, though through no fault of anyone.
उन आठ अवस्थाओं में पहली अभिसारिका है। फिर वासकसज्जा और उत्कण्ठिता।
L3definition
khaṇḍitā vipralabdhā ca kalahāntaritāpi ca |
khaṇḍitāthe khaṇḍitā — offended, when he arrives late bearing the marks of another woman nom.खण्डिता (मान भंग हुई, रुष्ट)
vipralabdhāthe vipralabdhā — let down, when he never comes to the appointed tryst nom.विप्रलब्धा (छली गई)
caandऔर
kalahāntaritāthe kalahāntaritā — kept apart by her own quarrel and now repenting it nom.कलहान्तरिता (कलह से वियुक्त हुई)
apialsoभी
caandऔर
khaṇḍitā — the offended one; vipralabdhā ca — and the let-down one; kalahāntaritā api ca — and the one parted by a quarrel too.
खण्डिता, विप्रलब्धा और कलहान्तरिता भी, और —
Next three: the khaṇḍitā, angry because he came late showing signs of another woman; the vipralabdhā, disappointed because he never came to the meeting they had set; and the kalahāntaritā, separated from him by a quarrel she herself started and now regrets.
फिर खण्डिता और विप्रलब्धा। कलहान्तरिता भी।
L4definition
proṣita-preyasī caiva tathā svādhīna-bhartṛkā
proṣita-preyasīthe proṣita-preyasī — whose beloved has gone away to a far place nom.प्रोषितप्रेयसी (जिसका प्रिय परदेश गया हो)
ca evaand indeedऔर निश्चय ही
tathāand likewiseतथा
svādhīna-bhartṛkāthe svādhīna-bhartṛkā — who keeps her lover close, under her own sway nom., the last of the eightस्वाधीनभर्तृका (जिसका प्रिय उसके वश में हो) — आठवीं
proṣita-preyasī ca eva — and indeed the one whose beloved is away; tathā — and likewise; svādhīna-bhartṛkā — the one who has her lover under her control.
और प्रोषितप्रेयसी ही, तथा स्वाधीनभर्तृका।
The last two: the proṣita-preyasī, whose beloved has travelled far away; and the svādhīna-bhartṛkā, who keeps her lover right beside her, entirely under her own sway. That completes the eight states.
और प्रोषितप्रेयसी। तथा आठवीं स्वाधीनभर्तृका।