s1gloss
jyautsnī-tāmasyoḥ śukla-kṛṣṇa-pakṣa-vartinyor yānam abhisāras tad-yogyaḥ śukla-kṛṣṇa-pakṣa-paricchada-mayo veṣo yasyāḥ sā |
jyautsnī-tāmasyoḥof the 'moonlit' woman and the 'dark' woman — taking up the two words jyotsnī and tāmasī genitive dualज्योत्स्नी और तामसी — इन दोनों का
śukla-kṛṣṇa-pakṣa-vartinyoḥthat is, of the one who goes in the bright fortnight and the one who goes in the dark fortnight śukla-pakṣa (waxing, bright fortnight) + kṛṣṇa-pakṣa (waning, dark fortnight) + vartinī (one who moves about in); genitive dualजो (क्रमशः) शुक्ल पक्ष और कृष्ण पक्ष में विचरण करती हैं, उन दोनों का
yānam abhisāraḥtheir going out is what the word abhisāra namesजाना ही अभिसार है
tad-yogyaḥsuited to that going outउसके योग्य
śukla-kṛṣṇa-pakṣa-paricchada-mayaḥ veṣaḥ yasyāḥ sāshe whose dress is made of attire belonging to the bright or the dark fortnight paricchada (attire, gear) + -maya (made of); veṣaḥ yasyāḥ sā — 'she whose dress is that', unpacking the verse's yāna-yogya-veṣāशुक्ल एवं कृष्ण पक्ष की सामग्री से बना वेष जिसका हो, वह
jyautsnī-tāmasyoḥ śukla-kṛṣṇa-pakṣa-vartinyoḥ — of the moonlit-night and dark-night women, i.e. those who go in the bright and dark fortnights; yānam abhisāraḥ — their going is called abhisāra; tad-yogyaḥ … veṣaḥ yasyāḥ sā — she whose dress, suited to that going, is made of attire fit for the bright or dark fortnight.
ज्योत्स्नी और तामसी — जो शुक्ल पक्ष और कृष्ण पक्ष में विचरण करती हैं — उनका जाना ही अभिसार है; उसके योग्य, अर्थात् शुक्ल-कृष्ण पक्ष की सामग्री से बना वेष जिसका हो, वह (यान-योग्य-वेषा है)।
Viśvanātha unpacks the two names. jyotsnī and tāmasī are the woman who goes out in the bright fortnight and the one who goes out in the dark fortnight. This going-out is exactly what abhisāra means. And her 'dress fit for the journey' is clothing suited to that fortnight.
ज्योत्स्नी शुक्ल पक्ष (चाँदनी) में जाती है और तामसी कृष्ण पक्ष (अँधेरे) में। इन दोनों का जाना ही 'अभिसार' है। जिसका वेष उस पक्ष के अनुकूल सामग्री से बना हो — उजला या काला — वही 'यान-योग्य-वेषा' है।
The point of matching the dress to the fortnight is concealment: light garments to melt into the moonlight on a bright night, dark garments to vanish into the darkness on a moonless one.
s2gloss
svāṅgalīn eva svāṅgair eva svāṅgam ācchādayantīvety arthaḥ ||
svāṅgalīn evathe verse's 'svāṅga-līnā iva' [as if merged into her own limbs] — he restates it pratīka quoting the verse; read as svāṅga-līneva'स्वाङ्ग-लीना इव' (यह पद)
svāṅgaiḥ evawith her own limbs aloneअपने ही अंगों से
svāṅgam ācchādayantī ivaas if she were covering up her own body sva-aṅga (own body) + ācchādayantī (covering)मानो अपने अंग को ढँकती हुई
iti arthaḥthat is the meaning closing formulaऐसा अर्थ है
svāṅgalīn eva — [the verse's] svāṅga-līnā iva means; svāṅgaiḥ eva svāṅgam ācchādayantī iva — as if covering her own body with her own limbs alone; iti arthaḥ — that is the sense.
'स्वाङ्ग-लीना इव' का अर्थ यह है — अपने ही अंगों से अपने अंग को मानो ढँकती हुई।
Now he explains 'as if merged into her own limbs.' It means: with her own limbs she seems to be screening her own body — drawing herself in to hide. That is the sense of the phrase.
'स्वाङ्ग-लीना इव' का तात्पर्य यह है कि वह अपने ही अंगों से अपने शरीर को मानो ढँक लेती है।