s1gloss
vyalīkaṁ nāyaka-kṛta-vipakṣa-vaiśiṣṭya-sva-vañcanādi tasya smaraṇa-kīrtanādibhiḥ saṅkīrṇā miśritā upacārāś cumbanāliṅganādayaḥ |
vyalīkaṁvyalīka [is] — pratīka; Viśvanātha, unlike Jīva's bare 'apriya', spells out what the offense concretely is'व्यलीक' शब्द (जिसे विश्वनाथ खोलकर बताते हैं)
nāyaka-kṛta-vipakṣa-vaiśiṣṭya-sva-vañcanādithe hero's favoring of a rival woman, his deceiving of her [the heroine], and the like long compound; nāyaka-kṛta 'done by the hero' governs both vipakṣa-vaiśiṣṭya 'making a rival [vipakṣa, the other woman] special' and sva-vañcana 'cheating of herself'; ādi keeps it openनायक के द्वारा किया गया — सौत को विशेष महत्त्व देना और अपने को ठगना, इत्यादि
tasya smaraṇa-kīrtanādibhiḥthrough the recalling and the speaking-aloud of that [offense], and so forth instrumental of means; tasya 'of that vyalīka' — Viśvanātha expands the mūla's 'smaraṇādi' to include kīrtana, saying it outउस (व्यलीक) के स्मरण, कीर्तन आदि के द्वारा
saṅkīrṇā miśritābecome saṅkīrṇa — that is, miśrita, 'intermingled' gloss of the mūla's saṅkīrṇa by the plainer miśritaसंकीर्ण अर्थात् मिश्रित (घुले-मिले)
upacārāḥ[are] the love-tokens nominative pl., the subject glossed nextउपचार
cumbanāliṅganādayaḥnamely kissing, embracing, and the rest in apposition to upacārāḥ, spelling out what the tokens are; ādi leaves the list openचुम्बन, आलिंगन आदि
vyalīkaṁ — the offense is; nāyaka-kṛta-vipakṣa-vaiśiṣṭya-sva-vañcanādi — the hero's favoring a rival, his deceiving her, and such; tasya smaraṇa-kīrtanādibhiḥ — through recalling and mentioning it; upacārāḥ cumbanāliṅganādayaḥ — the love-tokens, kissing, embracing and the rest; saṅkīrṇā miśritā — become intermingled.
vyalīkaṁ — 'व्यलीक' शब्द; nāyaka-kṛta-vipakṣa-vaiśiṣṭya-sva-vañcanādi — नायक द्वारा सौत को विशिष्टता देना तथा अपने को ठगना आदि; tasya smaraṇa-kīrtanādibhiḥ — उसके स्मरण-कीर्तन आदि के द्वारा; saṅkīrṇā miśritā — संकीर्ण यानी मिश्रित; upacārāḥ — उपचार; cumbanāliṅganādayaḥ — चुम्बन-आलिंगन आदि।
Viśvanātha makes the offense concrete. vyalīka is the hero's favoring some rival woman (vipakṣa), his deceiving of the heroine, and the like. When she recalls that — and even speaks it aloud (smaraṇa-kīrtana) — the love-tokens of union, the kissing and embracing, get intermingled (saṅkīrṇa = miśrita) with the sting of it. That intermingling is the blended type.
विश्वनाथ जीव के सूखे 'अप्रिय' को खोलकर बताते हैं कि व्यलीक क्या है — नायक ने जो सौत को विशेष महत्त्व दिया या अपने को ठगा, इत्यादि। उस व्यलीक के स्मरण-कीर्तन आदि से जब चुम्बन-आलिंगन आदि उपचार घुल-मिल (संकीर्ण) जाएँ।
s2gloss
taptekṣur iva peśalaḥ svāduḥ, auṣṇyam ādhur yayor ekadaivānubhavāt ||
taptekṣur iva peśalaḥ'delicious like heated sugarcane' — pratīka of the mūla's simile; taptekṣu 'heated sugarcane [juice]' + iva, the upamā being explained'तपाये हुए ईख के समान पेशल' — यही वह उपमा है
svāduḥpeśala here means svādu, 'sweet, delicious' gloss-word for peśala, replacing 'tender' with the taste-word the simile needsस्वादु, मधुर ('पेशल' का यही अर्थ)
auṣṇyam ādhuḥfor [heated sugarcane] carries warmth in it too auṣṇya 'warmth' + ā-√dhā perfect 3rd pl. 'they lodge/impart' (general subject) — the second quality beside sweetnessउष्णता (गरमी) भी उत्पन्न करते हैं
yayoḥ ekadā eva anubhavātbecause the two — the sweetness and the warmth — are tasted at one and the same moment ablative of cause; yayoḥ gen. dual 'of which two [svādu + auṣṇya]'; ekadā eva 'precisely at once' — the simultaneity is the whole force of the simileक्योंकि इन दोनों (माधुर्य और उष्णता) का अनुभव एक ही साथ होता है
taptekṣur iva peśalaḥ svāduḥ — sweet like heated sugarcane; auṣṇyam ādhuḥ — it lodges warmth as well; yayoḥ ekadā eva anubhavāt — because both are tasted at one and the same moment.
taptekṣur iva peśalaḥ — 'तपाये हुए ईख के समान पेशल'; svāduḥ — स्वादु (मधुर); auṣṇyam ādhuḥ — उष्णता भी देते हैं; yayoḥ ekadā eva anubhavāt — क्योंकि दोनों का अनुभव एक ही साथ होता है।
Now the simile. peśala means svādu, 'sweet.' Why heated sugarcane in particular? Because heated sugarcane juice is sweet and warm at once — you taste the sweetness and feel the heat in the very same sip (ekadā eva, 'at one and the same moment'). Just so, the saṅkīrṇa mood is sweet with the pleasure of union and warm with the sting of the recalled offense, both felt together in one instant. That simultaneity — not sweetness then heat, but both at once — is exactly why Rūpa says 'somewhat sweet like heated sugarcane.'
'तपाये हुए ईख के समान पेशल' — यहाँ पेशल का अर्थ स्वादु अर्थात् मधुर है। तपाये हुए ईख का रस उष्णता भी देता है। माधुर्य और उष्णता — इन दोनों का अनुभव एक ही समय होता है; यही इस उपमा का पूरा बल है।
s3other
(7)
(7)a bracketed number closing Viśvanātha's comment — the running item-count of the edition his text follows structural tag, not a word of the argument(7) — संरचनात्मक चिह्न
(7) — the edition's item-number closing the comment.
(7) — तर्क का शब्द नहीं, केवल संरचनात्मक चिह्न।
A bracketed number that ends Viśvanātha's comment. It is a running count in the edition his text follows, not part of the reasoning.
यह (7) तर्क का कोई शब्द नहीं, केवल संरचना का चिह्न है।