yathā—
srajaḥ kṣiptā dūre svayam upahṛtāḥ keśi-ripuṇā
priya-vācas tasya śruti-parisarānte’pi na kṛtāḥ |
namann eṣa kṣauṇī-viluṭhita-śikhaṁ praikṣi na mayā
manas tenedaṁ me sphuṭati puṭapākārpitam iva ||
The verse — decoded
L1other
srajaḥ kṣiptā dūre svayam upahṛtāḥ keśi-ripuṇā
srajaḥthe garlands — she names them first as the object of her scorn nom. pl., the thing thrownमालाएँ (जो फेंकी गईं)
kṣiptāI flung [them] past pass. part., agreeing with srajaḥफेंक दी गईं
dūrefar away loc. of placeदूर [जा गिरें, ऐसे]
svayamwith his own hands adverbial — he himself, not through a messengerस्वयं (किसी दूती के हाथ नहीं, अपने आप)
upahṛtāḥwhich he had brought and offered meभेंट की गई थीं
keśi-ripuṇāby Kṛṣṇa, the foe of the demon Keśī instr. — the giverकेशी-शत्रु (कृष्ण) के द्वारा
srajaḥ — the garlands; keśi-ripuṇā — by Kṛṣṇa, the foe of Keśī; svayam upahṛtāḥ — brought and offered with his own hands; dūre kṣiptā — [these] I flung far away.
केशी-शत्रु कृष्ण के द्वारा स्वयं भेंट की गई मालाएँ [मैंने] दूर फेंक दीं।
The garlands that Kṛṣṇa, the slayer of Keśī, brought and offered me with his own hands — I flung them far away.
कृष्ण ने अपने ही हाथों मुझे मालाएँ दीं। मैंने उन्हें दूर फेंक दिया।
L2other
priya-vācas tasya śruti-parisarānte’pi na kṛtāḥ |
priya-vācaḥhis affectionate words nom. pl., the thing refusedप्रिय वचन (मीठी बातें)
tasyahis, coming from him gen.उसके
śruti-parisarānteeven to the edge of my ear — anywhere near my hearing loc. — to whereकान के समीप तक (श्रुति = कान, परिसर = आसपास)
apievenभी
na kṛtāḥI would not let [them] come lit. 'were not made [to reach]'नहीं पहुँचने दिए गए (शब्दशः 'नहीं किए गए')
tasya priya-vācaḥ — his loving words; śruti-parisarānte api — even to the very edge of my ears; na kṛtāḥ — I did not let them come.
उसके प्रिय वचन मेरे कान के समीप तक भी नहीं पहुँचने दिए गए।
His loving words — I would not let them come even near my ears.
उसकी मीठी बातें मैंने कान तक भी नहीं आने दीं।
L3other
namann eṣa kṣauṇī-viluṭhita-śikhaṁ praikṣi na mayā
namanas he bowed low pres. part.झुकता हुआ
eṣathis very one, right here before me the vividness of 'eṣa' — he is present to herयह [जो अभी सामने-सा है]
kṣauṇī-viluṭhita-śikhamso that his crest rolled in the dust adverbial acc. — how he bowedपृथ्वी पर शिखा लोटती हुई (जिस भाँति वह झुका)
praikṣi nawas not so much as looked at aor. pass.नहीं देखा गया
mayāby me instr. — the agentमेरे द्वारा
eṣa — this one, right here; kṣauṇī-viluṭhita-śikham naman — bowing so his crest rolled in the dust; mayā na praikṣi — was not even looked at by me.
पृथ्वी पर शिखा लोटती हुई झुकता हुआ यह [कृष्ण] मेरे द्वारा देखा तक न गया।
And when he bowed right before me, his crest rolling in the dust — I would not even look at him.
यह जो सिर की शिखा धरती पर लोटाकर झुक रहा था, उसे मैंने देखा तक नहीं।
L4conclusion
manas tenedaṁ me sphuṭati puṭapākārpitam iva ||
manaḥthe heart nom., subjectमन (कर्ता)
tenaand so, because of all that instr. of cause — for that reasonउसी कारण से
idamthisयह
meof mine gen.मेरा
sphuṭatinow bursts apart pres.फटा जा रहा है
puṭapākārpitam ivaas if it had been sealed in a crucible and set to the fire iva — the simileमानो पुटपाक (अग्नि-ताप) में डाली गई कोई वस्तु हो
tena — because of all that; idam me manaḥ — this heart of mine; puṭa-pāka-arpitam iva — as though consigned to a sealed-crucible firing; sphuṭati — now bursts apart.
उसी कारण मेरा यह मन फटा जा रहा है, मानो पुटपाक में डाली गई कोई वस्तु हो।
And so this heart of mine now bursts — as if it had been sealed in a crucible and set to the fire.
इसी से मेरा मन फटा जा रहा है — जैसे पुटपाक की आँच में तपाई जा रही कोई चीज़।
puṭa-pāka is a firing process from rasa-śāstra (Indian alchemy / Āyurvedic metallurgy): a substance is packed into a sealed clay crucible (mūṣā) and roasted at fierce heat until it splits. Here it is her lament's image — her heart, sealed in the heat of separation, is cracking apart the same way.
Commentary — decoded
Jīva Gosvāmī
s1other
na vyākhyātam |
na vyākhyātam[Jīva] gave no comment here impers. pass.व्याख्या नहीं की गई
na vyākhyātam — [this verse] was not commented upon.
इसकी कोई व्याख्या नहीं की गई।
Jīva Gosvāmī left this verse without comment.
इस पद पर कोई व्याख्या नहीं दी गई।
Viśvanātha Cakravartī
s1avataranika
rādhā svagatam āha—sraja iti |
rādhāRādhā [is the speaker] nom., subjectराधा (कर्ता)
svagatamspeaking aside, to herself adverbial — not addressed to anyoneस्वगत रूप से (मन-ही-मन, किसी से कहे बिना)
āhasaysकहती हैं
sraja itinamely, the verse beginning 'srajaḥ' pratīka — the catch-word marking the verse'सृजः' इस पद से (श्लोक का प्रतीक-शब्द)
rādhā — Rādhā; svagatam — to herself, aside; āha — speaks; sraja iti — [in] the verse 'srajaḥ...'.
राधा स्वगत रूप से कहती हैं — 'सृजः' इत्यादि।
Rādhā says this to herself — the verse beginning 'srajaḥ.'
राधा मन-ही-मन कहती हैं — यह 'सृजः' से आरम्भ होने वाला श्लोक।
s2gloss
puṭe mūṣa iti khyāte mṛṇmaya-pātre |
puṭeas for the word 'puṭa' [in puṭa-pāka] loc. — 'in the term puṭa''पुट' शब्द में
mūṣā iti khyātewhich goes by the name 'mūṣā' loc., agreeing with pātre'मूषा' नाम से प्रसिद्ध
mṛṇmaya-pātrehe means a clay vessel loc. — the referent of puṭaमिट्टी के पात्र में (जो 'पुट' का अर्थ है)
puṭe — for 'puṭa'; mūṣā iti khyāte mṛṇmaya-pātre — [he means] the clay vessel known as a mūṣā (crucible).
'पुट' शब्द का अर्थ है वह मिट्टी का पात्र जो 'मूषा' (घरिया) नाम से प्रसिद्ध है।
By 'puṭa' he means the clay pot known as a mūṣā — a crucible.
'पुट' यानी वह मिट्टी का बरतन, जिसे 'मूषा' (धातु गलाने की घरिया) कहते हैं।
s3conclusion
pākārtham arpitaṁ svarṇa-rajatādi-vastv ivety arthaḥ ||
pākārthamin order to be fired / smelted acc. of purposeगलाने के लिए
arpitamset into [that crucible] past pass. part.डाली गई
svarṇa-rajatādi-vastusome substance like gold, silver, and the restसोना-चाँदी आदि कोई वस्तु
ivajust asके समान / मानो
iti arthaḥthat is the senseऐसा अर्थ है
svarṇa-rajata-ādi vastu iva — just like a substance such as gold or silver; pāka-artham arpitam — set [in the crucible] to be fired; iti arthaḥ — that is the meaning.
गलाने के लिए [मूषा में] डाली गई सोना-चाँदी आदि वस्तु के समान — ऐसा अर्थ है।
So the picture is: like gold, silver, or the like placed in that crucible to be smelted. That is the meaning.
अर्थात् जैसे सोना-चाँदी आदि को गलाने के लिए घरिया में डाल दिया जाता है।