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IASTदेवनागरीবাংলা
Commentary
JīvaViśvanāthaViṣṇudāsa
UN 5.82
← 5.815.83 →
vāsa-sajjā-daśā-śeṣe mānasya viratāv api |
pāratantrye tathā yūnor utkaṇṭhā syād asaṅgamāt ||
The verse — decoded
L1definition
vāsa-sajjā-daśā-śeṣe mānasya viratāv api |
vāsa-sajjā-daśā-śeṣeat the tail-end of the 'dressed-and-ready' (vāsa-sajjā) state loc. of occasion — 'at the close of…'वाससज्जा-दशा के शेष भाग में (अर्थात् उसके अन्त में)
mānasya viratau apiand even once her jealous sulk (māna) has died down loc. absolute + api — 'even when… has ceased'और मान के निवृत्त हो जाने पर भी
vāsa-sajjā-daśā-śeṣe — at the close of the dressed-and-ready state; mānasya viratau api — and even once māna has subsided …
वाससज्जा-दशा के अन्त में, और मान के निवृत्त हो जाने पर भी —
The verse is defining the utkaṇṭhitā — the girl aching for a tryst that does not come off. This first line lists when that ache strikes. One: at the tail-end of being all dressed and ready (vāsa-sajjā) for him. Two: even after her jealous sulk (māna) has already faded.
जब नायिका की वाससज्जा-दशा समाप्त होने को हो, और जब उसका मान भी शान्त हो चुका हो —
vāsa-sajjā is one of the eight nāyikās — the girl who has adorned herself and is waiting, decked out, for the tryst.
L2definition
pāratantrye tathā yūnor utkaṇṭhā syād asaṅgamāt ||
pāratantryeand when she is under another's control — not free to go loc. of occasion — third of the three casesऔर परतन्त्रता होने पर (तीसरा अवसर)
tathālikewise / so tooतथा (इसी प्रकार)
yūnoḥfor the young couple (the two lovers) gen. dual of yuvanयुगल (नायक और नायिका) की
utkaṇṭhāeager longing (utkaṇṭhā)उत्कण्ठा
syātarises / there would beहोती है
asaṅgamātbecause the two fail to meet abl. of cause — 'from non-union'क्योंकि मिलन नहीं हो पाता (असंगम के कारण)
pāratantrye — when she is under another's control; tathā — likewise; asaṅgamāt — because they fail to meet; yūnoḥ — for the young couple; utkaṇṭhā syāt — the eager longing arises.
तथा परतन्त्रता होने पर — असंगम के कारण युगल की उत्कण्ठा होती है।
And three: when she is not her own mistress — held back, unable to go to him. In all these cases, because the two young lovers do not manage to meet, an eager longing (utkaṇṭhā) springs up. The girl in that longing is the utkaṇṭhitā.
और तीसरे, जब कोई परतन्त्रता आ पड़े। इन [तीन] अवसरों पर मिलन न हो पाने के कारण नायक-नायिका दोनों की उत्कण्ठा जाग उठती है।
Commentary — decoded
Jīva Gosvāmī
s1reply
mānasya viratāv apīty atrāpi pūrvoktenānāgasīty anena na virodhaḥ |
mānasya viratau api iti atra apieven in this phrase 'even once māna has ceased' pratīka — quoting the mūla, with atra api 'here too''मान के निवृत्त हो जाने पर भी' — इस [पद] के विषय में भी
pūrva-uktena anāgasi iti anenawith the earlier phrase 'when he is blameless (anāgasi)' instr. — 'with what was stated before'पहले कहे गए 'अनागसि' [इस पद] के द्वारा
na virodhaḥthere is no contradictionकोई विरोध नहीं है
mānasya viratau api iti — the phrase 'even once māna has ceased'; atra api — here too; pūrva-uktena anāgasi iti anena — with the earlier phrase 'when he is blameless'; na virodhaḥ — is in no conflict.
'मान के निवृत्त हो जाने पर भी' — इस पद के विषय में भी, पूर्वोक्त 'अनागसि' पद के साथ कोई विरोध नहीं है।
Jīva heads off a worry. The verse says the longing comes 'even once māna has ceased' — so māna was present. One might think that clashes with what Rūpa said earlier with the word 'anāgasi,' 'when the lover is blameless.' Here too, Jīva says, there is no contradiction.
'मान के शान्त हो जाने पर भी' — यहाँ भी पहले कहे गए 'अनागसि' (जब वह निरपराध हो) वचन के साथ कोई विरोध नहीं आता।
anāgas = 'without offense, guiltless'; anāgasi (loc.) 'when [he] is at no fault.' It quotes an earlier line where māna is said to arise even toward a lover who has done nothing wrong — hence the apparent tension with naming māna here.
s2reply
tadāpy anāgastva-mananāt ||
tadā apibecause even then — even after the sulk has fadedतब भी
anāgastva-mananātshe still holds him to be blameless abl. of reason — 'because of [her] thinking [him] guiltless'क्योंकि [वह उसे] निरपराध ही मानती रहती है (अनागस्त्व के मनन के कारण)
tadā api — even then; anāgastva-mananāt — because she still regards him as at no fault [there is no contradiction].
तब भी, [उसके] निरपराध होने के मनन के कारण।
And here is why there is no clash. Even then — even after the sulk has died down — she goes on regarding him as blameless. So the earlier 'when he is blameless' still holds good, and the two statements sit together fine.
क्योंकि तब भी वह उसे निर्दोष ही मानती रहती है।
Viśvanātha Cakravartī
s1gloss
vāsa-sajjety ādinā prasaṅgena utkaṇṭhittātvasya samaya-traya-yuktam |
vāsa-sajjā iti ādināby the words beginning 'vāsa-sajjā' instr. — 'by means of''वाससज्जा' इत्यादि [पदों] के द्वारा
prasaṅgenain passing, as an incidental point instr. — 'by way of the occasion'प्रसंगवश (प्रसंग के द्वारा)
utkaṇṭhitātvasyaof what makes her an utkaṇṭhitā gen. — 'of the being-an-utkaṇṭhitā'उत्कण्ठिता होने का [लक्षण]
samaya-traya-yuktam[it is shown] to be tied to three occasionsतीन समयों से युक्त है
vāsa-sajjā iti ādinā — by the words 'vāsa-sajjā' and the rest; prasaṅgena — incidentally; utkaṇṭhitātvasya — the being-an-utkaṇṭhitā; samaya-traya-yuktam — is bound up with three occasions.
'वाससज्जा' इत्यादि [पदों] के द्वारा, प्रसंगवश, उत्कण्ठिता होने का [लक्षण] तीन समयों से युक्त [कहा गया] है।
Viśvanātha reads the list as a set. With 'vāsa-sajjā' and the words that follow, Rūpa incidentally shows that being an utkaṇṭhitā is tied to three occasions: the close of the dressed-and-ready state, the subsiding of māna, and being held under another's control.
'वाससज्जा' आदि पदों से, प्रसंगवश, उत्कण्ठिता होने का लक्षण तीन अवसरों के साथ जोड़ दिया गया है।
s2conclusion
mānasya viratau tu saivotkaṇṭhitā kalahāntaritā-śabdenocyate iti sampradāyaḥ ||
mānasya viratau tubut in the one case — where māna has ceased loc. + tu marking the contrast among the threeपरन्तु मान के निवृत्त हो जाने पर
sā eva utkaṇṭhitāthat very same utkaṇṭhitāवही उत्कण्ठिता
kalahāntaritā-śabdenaby the term kalahāntaritā instr. — 'by the word''कलहान्तरिता' शब्द के द्वारा
ucyateis [also] calledकही जाती है
iti sampradāyaḥsuch is the received tradition— ऐसा सम्प्रदाय का मत है
mānasya viratau tu — but when māna has ceased; sā eva utkaṇṭhitā — that very utkaṇṭhitā; kalahāntaritā-śabdena ucyate — is named by the word kalahāntaritā; iti sampradāyaḥ — so runs the tradition.
परन्तु मान के निवृत्त हो जाने पर वही उत्कण्ठिता 'कलहान्तरिता' शब्द से कही जाती है — ऐसा सम्प्रदाय है।
But he adds a refinement. In that one case — where the longing follows māna dying down — the same utkaṇṭhitā goes by a second name: she is called the kalahāntaritā, the girl estranged by a quarrel. So the sampradāya hands it down.
परन्तु जब मान शान्त हो चुका हो, तब वही उत्कण्ठिता 'कलहान्तरिता' नाम से पुकारी जाती है — यही सम्प्रदाय की परम्परा है।
kalahāntaritā is another of the eight nāyikās — the girl who has driven her lover off in a jealous quarrel (kalaha) and now pines, repenting, for the reunion she spoiled.
← 5.815.83 →